| تعداد نشریات | 24 |
| تعداد شمارهها | 852 |
| تعداد مقالات | 7,575 |
| تعداد مشاهده مقاله | 13,420,816 |
| تعداد دریافت فایل اصل مقاله | 11,583,442 |
Modernity and “Monstros/city” in Othello and Nassirian’s Halu | ||
| Persian Literary Studies Journal | ||
| مقاله 2، دوره 1، شماره 1، تیر 2012، صفحه 7-40 اصل مقاله (296.48 K) | ||
| نوع مقاله: Research Papers | ||
| شناسه دیجیتال (DOI): 10.22099/jps.2013.600 | ||
| نویسندگان | ||
| Behzad Ghaderi-Sohi* 1؛ Masoud Ghorbaninejad2 | ||
| 1Associate Professor Dramatic Literature T. C. Erciyes University Turkey | ||
| 2Ph.D. Candidate Northeastern University USA | ||
| چکیده | ||
| The so-called “third world” has often experienced modernity and its version of the “city” in some of their most grotesque forms where Iran has not been an exception. In other words, North-Atlantic powers have historically played the midwife for a father-figure-like modernity and its “third world” concubines, the result of which has been the birth of “monstrosities” of all kinds. Focusing mainly on the Iago-Roderigo-Othello trio in Othello (ca. 1603–4) and the relationship of a titular hero and those who besiege him in Halu (1963) by contemporary Iranian dramatist Ali Nassirian (b. 1935), the present article contextualises these play-texts and tries to examine the broader social frameworks which gave rise, amongst others, to socio-economic, political, and cultural contradictions. Whilst each of these dramas may be seen as the product of the distinct version of modernity which informed it, the article puts forward the thesis that Othello, as the epitome of Eurocentric modernity, is only seemingly a “domestic” play addressing a “micro-politics of transition” in the West from feudalism to capitalism; the play’s major undercurrent, the article further argues, concerns a wider “macro-politics of empire-building” by the West which subsequently dictated overall modernisation routes to peripheral, hence underdeveloped, countries like Iran. The article also sees Nassirian’s work – which, to follow Adorno’s theorising, at the level of form manifests many social contradictions prevalent in post-“White Revolution” Iranian society–as an instance of a “lopsided” modernity stemming from Iagoesque/Faustian projects orchestrated by these powers to lead all the “moors” by the nose. | ||
| کلیدواژهها | ||
| Modernity؛ city؛ feudalism/capitalism؛ Iago؛ Roderigo؛ Halu | ||
| مراجع | ||
|
Abrahamian, Ervand. Iran Between Two Revolutions. Princeton: Princeton University Press, 1982.
Agnew, Jean Christophe. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550-1750. Cambridge: Cambridge University Press, 1986.
Baudelaire, Charles. Selected Writings on Art and Artists. Ed. and trans. P. E. Chavret. Harmondsworth: Penguin, 1972.
Berman, Marshall. All That Is Solid Melts Into Air: The Experience of Modernity. London: Verso, 1982.
Brennan, Anthony. Shakespeare’s Dramatic Structures. London: Routledge, 1986.
Boroujerdi, Mehrzad. “Triumphs and Travails of Authoritarian Modernisation in Iran.” The Making of Modern Iran: State and Society under Riza Shah, 1921-1941. Ed. Stephanie Cronin. London: RoutledgeCurzon, 2003.
Cronin, Stephanie. Introduction. The Making of Modern Iran: State and Society under Riza Shah, 1921-1941. Ed. Cronin. London: RoutledgeCurzon, 2003.
Daniel, Elton L. The History of Iran. Westport, CT: Greenwood Press, 2001.
Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. 2nd ed. Hertfordshire, UK: Harvester Wheatsheaf, 1989.
Easlea, Brian. Witch-Hunting, Magic and the New Philosophy: An Introduction to Debates of the Scientific Revolution 1450-1750. Brighton, UK: Harvester, 1980.
Eagleton, Terry. The Illusions of Postmodernism. Malden, MA: Blackwell, 1996. Print.
---. On Evil. New Haven, CT: Yale University Press, 2010. Pirnt.
Fischer, Michael M. J. Mute Dreams, Blind Owls, and Dispersed Knowledges: Persian Poesis in the Transnational Circuity. Durham, NC: Duke University Press, 2004.
Foran, John. Fragile Resistance: Social Transformation in Iran from 1500 to the Revolution. Boulder, CO: Westview Press, 1993. Print.
Frisby, David. “Analysing Modernity: Some Issues.” Tracing Modernity: Manifestations of the Modern in Architecture and the City. Ed. Mari Hvattum and Christian Hermansen. London: Routledge, 2004.
Greenblatt, Stephen, et al., eds. The Norton Shakespeare. New York: Norton, 1997. Print.
Heinemann, Margot. “How Brecht read Shakespeare.” The Political Shakespeare: Essays in Cultural Materialism. Ed. Jonathan Dollimore and Alan Sinfield. 2nd ed. Manchester, UK: Manchester University Press, 1994.
Kott, Jan. Shakespeare our Contemporary. Trans. Boleslaw Taborski. 2nd ed. London: Methuen, 1967.
Laski, Harold. The Rise of European Liberalism. London: Unwin, 1962.
Loxley, James. The Complete Critical Guide to Ben Jonson. London: Routledge, 2002.
Maguire, Laurie. Shakespeare’s Names. Oxford: Oxford University Press, 2007.
McAlindon, Thomas Edward. English Renaissance Tragedy. Hampshire, UK: MacMillan, 1988.
Moisan, Thomas, and Douglas Bruster. Introduction: Weighing the Evidence. In the Company of Shakespeare: Essays on English Renaissance Literature in Honour of G.
Blackmore Evans. Ed. Moisan and Bruster. Madison/Teaneck, NJ: Fairleigh Dickinson University Press, 2002.
Muir, Kenneth. Shakespeare’s Tragic Sequence. London: Hutchinson University Library, 1972.
Nassirian, Ali. Ketab-e Tamashakhaneh [The Book of the Playhouse]. Tehran, Iran: Nashr-e Qatreh, 2004.
Ridley, M. R. Introduction and Appendices. Othello. By William Shakespeare. Ca. 1603-4. 7th ed. London: Methuen, 1958.
Sadowski, Piotr. Dynamism of Character in Shakespeare’s Mature Tragedies. Newark, DE: University of Delaware Press, 2003.
Said, Edward. Orientalism. New York: Vintage Books, 1979. Print.
Smith, Molly. The Darker World Within: Evil in the Tragedies of Shakespeare and His Successors. Newark, DE: University of Delaware Press, 1991.
Strindberg, August. Foreword [to Miss Julie]. Ed. Haskell M. Block and Robert G. Shedd. Masters of Modern Drama. New York: Random House, 1962.
“Urban culture.” Encyclopædia Britannica. 2010. Online.
Wagner, Otto. Modern Architecture. Santa Monica, CA: Getty Center, 1988.
Watson, Robert N. “Othello as Reformation Tragedy.” In the Company of Shakespeare: Essays on English Renaissance Literature in Honour of G. Blackmore Evans. Ed. Thomas Moisan and Douglas Bruster. Madison/Teaneck, NJ: Fairleigh Dickinson University Press, 2002.
---. “Tragedy.” The Cambridge Companion to English Renaissance Drama. Ed.
A. R. Braunmuller and Michael Hattaway. 2nd ed. New York: Cambridge University Press, 2003.
Weber, Max. The Protestant Ethic and the “Spirit” of Capitalism and Other Writings. Ed. and trans. Peter Baehr and Gordon C. Wells. New York: Penguin, 2002. | ||
|
آمار تعداد مشاهده مقاله: 4,494 تعداد دریافت فایل اصل مقاله: 2,723 |
||