| تعداد نشریات | 24 |
| تعداد شمارهها | 887 |
| تعداد مقالات | 7,912 |
| تعداد مشاهده مقاله | 14,910,612 |
| تعداد دریافت فایل اصل مقاله | 12,671,155 |
Iranian Adaptation and Narrative Transformation with Special Attention to Amir Naderi’s Adaptation of Sadeq Chubak’s Tangsir | ||
| Persian Literary Studies Journal | ||
| مقاله 3، دوره 7، شماره 12، آبان 2018، صفحه 21-38 اصل مقاله (423.09 K) | ||
| نوع مقاله: Research Papers | ||
| شناسه دیجیتال (DOI): 10.22099/jps.2019.31735.1094 | ||
| نویسندگان | ||
| Pouyan Nabipour* ؛ Alireza Anushirvani | ||
| Shiraz University | ||
| چکیده | ||
| This paper, while focused primarily on the narrative transformation of Sadeq Chubak’s Tangsir from novel to film adaptation, offers a general survey of adaptation history in Iran and also investigates the nature of Iranian adaptation from both foreign and domestic sources. Drawing on Gerard Genette’s theories of Narratology, especially his notion of hypertextuality, transpragmatization and transdiegetization, we would discuss the changes made to the hypotextual story from a narratological perspective. This paper strives to demonstrate how adaptations of foreign and domestic sources vary, in that adaptations of foreign sources tend to incline towards diegetic transposition, which entails changes to time and setting and conversely domestic sources lend themselves more to pragmatic transpositions, most of which tend to change and modify certain plot elements for aesthetic and/or socio-political reasons which consequently change or dramatically expand the thematic aspects of the story. The current research investigates both divergences and convergences of the narrative elements of the story such as narrator, point of view, perspective, plot and characterization in a comparative manner between the two mediums, trying to uncover the reasons for narrative transformations. This study also proposes the term director/editor for film directors, who in their adaptations of literary works recline heavily on pragmatic transpositional processes. | ||
| کلیدواژهها | ||
| Hypertextuality؛ Transpragmatization؛ Transdiegetization؛ Iranian adaptation | ||
| مراجع | ||
|
Atash Sevda, Mohammad Ali. “Shiveye Dastan Nevisi Chubak.” Majalle-ye Olum Ejtemaei va Ensani Daneshgah Shiraz, vol. 22, no. 1, ser. 42, 2005, pp. 187–202. 42.
Bahar, Shamim. “Yaddasht Darbareye Tangsir.” Andishe Va Honar, Sept. 1963, pp. 657–661.
Baharlou, Abbas. “Tarikhche Cinema Iran 1”. HaftMag.ir, Cafe Naghd.
Campbell, Joseph. The Hero with a Thousand Faces. Princeton Univ. Press, 2004.
Chubak, Sadeq. Tangsir. 1963. Negah Pub., 2011.
Coleman, J. A. The Dictionary of Mythology: an A-Z of Themes, Legends and Heroes. Arcturus, 2007.
Dabashi, Hamid. Close up: Iranian Cinema, Past, Present and Future. Verso, 2001.
---. Masters & Masterpieces of Iranian Cinema. Mage, 2007.
Ghasemzadeh, Mohammad. Dastan Nevisan-e Moaser-e Iran. Hirmand, 2004.
Genette Gérard. Palimpsests: Literature in the Second Degree. University of Nebraska Press, 1997.
Green, John. “Middle East Journal.” Middle East Journal, vol. 37, no. 3, 1983, pp. 511– 512. JSTOR, JSTOR, www.jstor.org/stable/4326655.
Jahed, Parviz. “Dah Ketab, Dah Film; Eghtebashaye Mash'hoor Cinema-Ye Iran.” BBC News, BBC, 8 Apr. 2015, www.bbc.com/persian/arts/2015/04/150408_l51_cinematic_adaptation.
---. “Negahi Be Jaryan Eghtebas Adabi Dar Iran, Bakhsh 3.” BBC News, BBC, www.bbc.com/persian/arts/story/2006/11/061129_oh_pj_-lit-adapt3.shtml.
Lanier, Douglas. “William Shakespeare, Filmmaker.” The Cambridge Companion to Literature on Screen, edited by Deborah Cartmell and Imelda Whelehan, Cambridge University Press, 2007, pp. 61–74.
Leitch, Thomas. Film Adaptation and Its Discontents: from "Gone with the Wind" to "The Passion of the Christ". Johns Hopkins Univ. Press, 2009.
---. The Oxford Handbook of Adaptation Studies. Oxford University Press, 2017.
Lezgi, Habibollah, and Mazda Morad Abbasi. “Eghtebas Cinema-ye Iran Az Adabiat Dastani Moaser.” Pajooheshhaye Zaban Va Adabiat Farsi, vol. 1, no. 5, 2010, pp. 85–100.
Lothe, Jakob. Narrative in Fiction and Film: an Introduction. Oxford Univ. Press, 2005.
Metz, Christian. Film Language: a Semiotics of the Cinema. University of Chicago Press, 1991.
Mirabedini, Hassan. Sad Sal Dastan Nevisi-ye Iran. Vol. 2, Nashr Cheshme, 2001.
Mostaghel, Deborah Miller. “The Second Sadeq: The Short Stories of Iranian Writer Sadeq Chubak.” World Literature Today, vol. 53, no. 2, 1979, p. 227, doi:10.2307/40133577.
Naderi, Amir. Tangsir. Payam Cinematic Org., 1973.
Naficy, Hamid. A Social History of Iranian Cinema. Vol. 4, Duke University Press, 2011.
Pourshabanan, Alireza, and Amirhossein Pourshabanan. “Barresi-Ye Tatbighi-Ye Ravand Tahavvol Roman Tangsir Sadeq Chubak Be Film Eghtebasi Tangsir Amir Naderi.” Pajooheshhaye Adabiat Tatbighi, vol. 6, no. 1, 2018, pp. 132–157.
Sadat Rashidi, Safura, et al. “Gofteman Shenasi Enteghadi Chubak Dar Roman Tangsir.” Matn Pajoohi Adabi, vol. 21, no. 72, 2017, pp. 35–62.
Shojai, D. A. “The Fatal Rage: Heroic Anger in Modern Iranian Fiction.” Iranian Studies, vol. 8, no. 4, 1975, pp. 216–233, doi:10.1080/00210867508701500. | ||
|
آمار تعداد مشاهده مقاله: 578 تعداد دریافت فایل اصل مقاله: 580 |
||