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Contemporary Iranian Dramatist, Eastern Visual Provocation, and Cultural Originality | ||
| Persian Literary Studies Journal | ||
| مقاله 4، دوره 7، شماره 11، مرداد 2018، صفحه 41-63 اصل مقاله (900.54 K) | ||
| نوع مقاله: Research Papers | ||
| شناسه دیجیتال (DOI): 10.22099/jps.2019.30952.1087 | ||
| نویسندگان | ||
| Bahee Hadaegh* 1؛ Samaneh Saeed2 | ||
| 1Shiraz University, Faculty of Letters and Humanities, Department of Foreign Languages and Linguistics | ||
| 2Shiraz university, Faculty of letters and humanities, Department of foreign languages and linguistics | ||
| چکیده | ||
| The necessity of taking refuge in literary productions has been intensified due to the societies’ severe involvement in the features of the modern world. Loss of identity and failure to maintain an integrated self are the repercussions of distancing from humanistic roots. Some attempts in modern art/literature appear to focus more on visual styles to represent the catastrophes of the modern universe and create the needed cultural shock. Contemporary Iranian Dramatist, Ali Rafiée, has chosen to potentialize historically originated texts by visual intensity of various types on stage to help audience develop critical thinking and rehabilitate their identities with the aid of cultural resemblances very akin to universal codes of humanity. Scrutinizing the visual techniques, one may see the footprints of Kabuki and Balinese performances, supporting the idea of the visual communicative power of stage and audience. Consequently, the significance of the study lies in salvaging the universal humanity through vision-based performances; the humanity which has been doomed to be disoriented within the disastrous modern era. Seeing through the lenses of cultural memory theories of Jan and Aleida Assman, one can consider vision-based performances as an appropriate modern means of helping the individuals to rehabilitate the lost culture and eventually to blur the geographical boundaries and highlight the transnational aspects of literature. | ||
| کلیدواژهها | ||
| Contemporary Iranian Dramatist؛ Ali Rafiée؛ Visual Provocation؛ Cultural Memory؛ Kabuki and Balinese Performance | ||
| مراجع | ||
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Artuad, Antonin. The Theatre and its Double. Trans. Mary Caroline Richards. New York: Grove Press, 1958. Assman, Aleida. “Cultural Memory.” Youtube. Web. 5 June. 2017. ---. “Canon and Archive.” Cultural Memory Studies: An International and Interdisciplinary Handbook. Germany: Deutsche Nationalbibliografie, 2008. Assman, Jan. “Communicative and Cultural Memory.” An International and Interdisciplinary Handbook. Germany: Deutsche Nationalbibliografie, 2008. Clancy, Patricia A. “Artaud and Balinese Theatre.” Modern Drama, vol. 28, no. 3, 1985, pp. 397-412 Erll, Astrid. "Cultural Memory Studies: An Introduction." Cultural Memory Studies: An International and Interdisciplinary Handbook. Germany: Deutsche Nationalbibliografie, 2008. Hadaegh, Bahee. “Cultural Memory and Reshaping of Self through Dramatic Visual Provocations (French and Persian Visual Drama).” Intercultural Memory and Heritage: East and West (Iran, Germany, France), Shiraz University, October 2017. The International Center for Teaching Persian to non-Persians of Shiraz University, 12-13, 2017. Harth, Dietriche: “The Invention of Cultural Memory.” Cultural Memory Studies: An International and Interdisciplinary Handbook. Germany: Deutsche Nationalbibliografie, 2008. Langenohl, Andreas: “Memory in Post-Authoritarian Societies.” Cultural Memory Studies: An International and Interdisciplinary Handbook.Deutsche Nationalbibliografie, 2008. Meusburger, Peter, Michael Heffernan, and Edgar Wunder, eds. Cultural memories:the geographical point of view. Vol. 4. Springer Science & Business Media, 2011. Mousavi, Seyyed Mehdi.”Cultural Memory Studies and Literature Applications in the Epic.” PhD Dissertation. Shiraz University, 2017. Rafiée, Ali. Interview by Reza Ashofte. Iran Theatre. 2013. Web. 12 Oct. 2017. Toshio, Kawatake. Kabuki: Baroque Fusion of Arts: Drama That Transcends National Boundaries. Trans. Frank and Jean Connel Hoff. 2nd ed. Japan: The International House of Japan, 2006. Walsh, Jordan M. Stage violence, power and the director: an examination of thetheory and practice of cruelty from Antonin Artaud to Sarah Kane. Dissertation. University of Pittsburgh, 2012.
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