بررسی شیوه‌ی به‌کارگیری جریان سیال‌ذهن در رمان سنگ‌صبور، اثر صادق‌ چوبک

Abbott, H. Porter. (2008). The Cambridge Introduction to Narrative. Cambridge: Cambridge UP. 

Bercovitch, Sacvan& Patell Cyrus R. K.  (1994). The Cambridge History of American Literature. Cambridge: Cambridge UP.

Humphrey, Robe. (1959). Stream of consciousness in the modern novel.Berkeley and California: university of California press.

Chatman, Seymour. (1980). Story and Discourse, Narrative Structure in Fiction and Film. Cornell UP, N.Y: Ithaca.

Cohn, Dorrit. (1978).  Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Princeton: Princeton University Press.

Cuddon, J. A. & Preston ,Claire. (1998). A Dictionary of Literary Terms and Literary Theory. Oxford UK: Blackwell.

Griffith, Kelley. (2006).  Writing Essays about Literature: a Guide and Style Sheet. Beijing: Peking UP.

Herman, Luc, & Vervaeck, Bart. (2005).  Handbook of Narrative Analysis, Lincoln: University of Nebraska.

Herman, David & Jahn, Manfred & Ryan, Marie-Laure. (2008). Routledge Encyclopedia of Narrative Theory. London: Routledge.

Kris, Anton O. (1996). Free Association: Method and Process. New Haven: Yale Univ. Pr.

Pope, Kenneth S. & Singer, Jerome L.  (1978). The Stream of Consciousness: Scientific ‎Investigations into the Flow of Human Experience. New York: Plenum.‎

Prince, Gerald. (2003).  A Dictionary of Narratology. Lincoln: University of Nebraska.‎ 

  Stade, George, & Karbiener, Karen. (2009). Encyclopedia of British Writers, 1800 to the Present. New York: Facts on File.

Surmelian, Leon Z. (1969).  Techniques of Fiction Writing, Measure and Madness. Garden City, NY: Anchor.

Watt, Ian. (1967). »The comic syntax of TRISTRAM SHANDY«. Studies in Criticism and Aesthetics; Essays in Honor of Samuel Holt Monk. by: Howard, Anderson& Holt, Samuel& Shea, Monk & Shea, John, Minneapolis: University of Minnesota.

 Zelazo, Philip David; Moscovitch, Morris & Thompson, Evan. (2007).  The Cambridge Handbook of Consciousness. Cambridge: Cambridge UP.